Artists -- United States

Abstract

The Channing Peake Letters to Joe De Yong contains letters from artist Channing Peake, sent primarily during his travels through Mexico from 1934 to 1935. Additionally, the collection contains photographs, sketches, and other materials that most likely accompanied the letters.

Abstract Papers and photographs of artist Charles Schreyvogel, as preserved by his widow, Louise Walther Schreyvogel Feldmann, and his daughter, Ruth Elizabeth Schreyvogel Carothers; also includes some posthumous material about Schreyvogel and his art collected by Feldmann and Carothers. This collection primarily documents the period when Schreyvogel was one of the most popular historical Western genre artists in America: from 1899, when he won the Clarke Prize for his painting “My Bunkie,” through...

Abstract

This collection contains the papers of American artists James Earle Fraser and Laura Gardin Fraser.

Abstract

The Joe De Yong Papers reflect the art and friendships of an artist, cowboy, and westerner of the 20th century. The Papers are comprised of biographical information, correspondence, manuscripts, sketches, notes from conversations, and photographs. Due to his long careers in western art and film, De Yong had many well-known friends who are reflected in his Papers: Charles M. Russell, Will James, Tom Mix, Maynard Dixon, Joe Beeler, and Will Rogers.

Abstract Papers and photographs of Ohio watercolorist Lowell Ellsworth Smith, whose work encompasses his native Ohio, the western United States, Mexico, and Europe. The collection features a group of more than 50 watercolor sketches by Smith, both figure studies and landscapes. Also included are letters written to Smith by significant figures in contemporary western art such as James Boren, Tom Lovell, Donald Teague, and others. Over 100 letters written by Smith to his family while serving with the...

Abstract

Along with personal papers, pamphlets, booklets, research notes and sketches, the Tom Lovell Papers contain approximately 16,000 negatives, photographs, and transparencies. The collection also contains numerous tearsheets of Lovell’s illustrations and paintings. Scrapbooks and folders in the collection contain the tearsheets of other illustrators.

Abstract

This collection consists of two cassette tapes featuring a discussion with Wilson Hurley about the triptychs. Interview is conducted by Duane Chartier in 1995.